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Cudi’s personality somehow transcends his monotone delivery, while Cage dishes out a discerning verse over the guitar-laden instrumental.
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Teaming up with the equally unpredictable Cage Kennylz, Kid Cudi serves up an eclectic offering on “ MANIAC.” As one of the album’s standout cuts, “MANIAC” blends styles in order to please even the most refined palate. Although Hip Hop purists will frown upon Cudi’s inexplicit lack of flow, this is one of the most captivating tracks on Mr.
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With that said, the final verse is a close-up on Mescudi’s busy schedule and coinciding drug use, as he proclaims, “ taking trips to Australia do some blow and I can make it through the show.” “The Mood” finds Cudi painting a portrait of indulgence as he goes on a binger with a group of foreign models. After the pseudo pop-rock dud, “ Erase Me,” Cudi returns to his electro roots on minimalistic “Wild’n Cuz I’m Young.” Although the verses are lackluster, the hook has the capability to gain buzz with each repetition. While other songs hit their mark with greater precision than the party fare of “Ashin’ Kusher,” it’s a notable confirmation of Cudi’s versatility. The Cool Kid’s Chuck Inglish pivots into a production that is vastly up-tempo in comparison to the earlier sounds of MOTMII. The previous tracks were nothing more than the pre-game, a pre-cursor to the main course, if you will. Rager is pertinent, not only because of the artist’s personal life, but due to the manner in which he conveys this body of work as a concept album. Once, Act III (Party On) gets underway, it’s apparent that Kid Cudi had a vision all along. Rager provides another instrumental that pinpoints the grime of early 2000s electronica on “Mojo So Dope.” The aforementioned album cuts are exceptional, breaking the barrier of hip hop, rock, and techno solidifying CuDi as a musical enigma, rather than your run-of-the-mill pretentious rapper. This introverted ballad is appropriately balanced by the ode to herb, bluntly titled, “ Marijuana.” Emile, who handles a bulk of the production on Mr. Assuming his listeners are as disobedient as himself, Kid Cudi dubs Act II’s opener, “ Don’t Play This Song.” Illustrating his lack of appreciation for people’s advice, Cudi alongside Mary J Blige facetiously sings, “ people think they’re really being helpful by telling me ‘please be careful.’ Yeah, right.” Reminiscing on his gateway experiences, CuDi tells listeners, “ I remember when I first had trees, smoked out of a Black n mild, so dumb of me” before teetering on controversy by claiming to be suicidal. On top of the world, Cudi promises us “ some generation next sh*t” on the gloomy Cee-Lo assisted “ Scott Mescudi vs the World.” The lonely stoner doesn’t lead us astray, as the indie rock-inspired chants of “ REVOFEV,” soothe the nerves as listeners gradually enter an ensuing trip on the following four tracks. Split into five acts, the album is a realistic journey through the psyche of Mescudi. Picking up where he left off, Kid Cudi awakes from the nightmare that he painted on Man On The Moon to discover it wasn’t a dream after all. Some may say Cudi is a modern day rock star who has cemented his image in order to embdy his lyrical content. A bout with cocaine addiction, a proceeding arrest and video evidence of his out of control partying has seldom stopped Cudi’s career from flourishing. After a brush with fame and critical praise for his 2009 debut, Man On The Moon, KiD CuDi became the center of attention in the tabloids for his outlandish statements and drug-fueled persona. The progression of Scott Mescudi’s artistry is lined with controversy and misconstrued notions of his personal life.